Archive for the ‘ Books ’ Category

Every time I see yet another article about the Amazon vs. Hachette stand-off that paints Amazon as a bully, I wonder if we really have become too lazy to think, or if it is just too tempting for even renown websites to give in to the temptation of sensationalism it creates, because when you look at what is really happening, nothing could be further from the truth.

The sentiment that Hachette may be a poor victim in this scenario is incomprehensible to me. Not only is Hachette neither poor, nor a victim. Amazon does not target individual companies, singles them out and then tries to destroy them by refusing to sell their products. Quite the opposite is true, actually. Amazon is dealing with hundreds of thousands of individual vendors and suppliers and not once in its history has it singled out any of their vendors with the kind of vindictive action that is constantly being suggested here. If anything, Amazon has always been an incredibly fair, flexible and forward-thinking partner to all its suppliers.

Let us not forget before we get deeper into this, that Amazon has single-handedly not only saved, but revived the book market not too long ago. Amazon has created a platform for authors to flourish, for books to bloom and all while making money for everyone. Evil? I don’t think so—unless you’re a conspiracy theorist.

There are more active and published writers today than ever. There are more books on sale than ever. There are more books being sold than ever, and there are more books being read than ever, I presume.

Let’s make no mistake. Before Amazon made all of this possible, the book industry was not only stagnant, it was dying. Fast! Meanwhile, the old-school business model of the Big Five publishers is dying still. Companies like Hachette simply do not have a grasp on the reality of book publishing in 2014. They are not adapting and as a result they are no longer needed. They have become a side show in a world where everyone can publish, where anyone can become a bestselling author. I am not saying they are obsolete, but they are no longer relevant and with every year going forward, they will be come increasingly marginal.

The fact how long this stand-off is lasting already, is a clear indication that Hachette is unwilling to bend, and clearly underscores who the real bully is. They could have agreed to Amazon’s standard publishing agreement for weeks now and would have continued to sell books, but they refuse to do so, expecting Amazon to make special arrangements for them. That is not very rational in anyone’s mind, and shows that Hachette is not even trying to resolve the problem, particularly when every blogger and journalist seems to be all too happy to support their sensational truth-contortion.

Hachette is acting like their jockstrap is pulled too tight. They seem to have this inflated opinion of themselves that makes them believe that they look all potent, yet at the same time they are too proud to admit it hurts. And hurt it does, but if Hachette is determined to self-destruct, I’m all for it. Whatever floats their boat. Amazon does not need Hachette, but Hachette most definitely needs Amazon to sell their books.

So what is the real conflict between Amazon and Hachette, actually, once you peel away the vitriol. In my experience, in cases such as this, there is always a backstory. Something that happened long before Amazon reverted to what could be considered flexing their muscle.

What Amazon does is very clearly a reaction. A response to something that happened before and left them little choice but to go on the offensive. Since the previous discussions and negotiations that have taken place between the parties are not being disclosed, we may never know what went really down, but I think it is not too far fetched to imagine that Hachette was not happy with the status quo and tried to force Amazon to comply with its wishes, guided by the sense that as one of the largest international publishers they could somehow force Amazon’s hand. What they failed to see was that Amazon could not care less about Hachette. It makes absolutely no difference to Amazon whether they sell Hachette books or not. With millions of other titles available in their catalog, Hachette is a mere speck on the map.

What’s even worse is that Hachette quite obviously forgot that Amazon controls the channel. Amazon sells the majority of books worldwide and as a result they control the terms. Like Wal-Mart, they do not negotiate with their suppliers. They have standard agreements that tell vendors what they need to do and what is expected of them, and if the vendor feels he can’t agree to these terms, Amazon won’t sell your products. It is as simple as that, and it is the vendor’s choice—and consequence. If a publisher like Hachette thinks they can manhandle Amazon, they’ve clearly got another thing coming—as we are witnessing right now.

Does that make Amazon evil? Not at all. If anything, it only shows once again, how removed publisher like Hachette are from the realities of being a book publisher in 2014. What we are witnessing is a decision on Amazon’s behalf to protect their business, to ensure they remain the most successful online store with the highest customer approval ratings on the planet.

Hachette, by comparison… not so much. How anyone could see Hachette as the good guy in all of this is inconceivable to me. It is not like the publisher has a track record of good behavior. In fact, this is a publisher stuck in an antitrust suit, currently being subject to a court order to renegotiate terms with retailers because they have been found to have artificially inflate prices. And that is just the tip of the iceberg.

Naturally in a stand-off such as this there is collateral damage, and in this case it’s the authors published by Hachette whose books are currently unavailable at the largest book store in the world. However, for these authors to simply claim that Amazon is evil because they are responsible for lost sales, is really not looking the facts in the eye.

Some of these authors complain that the loss of revenue destroys their livelihood. I am not entirely unsympathetic to this, but it is a problem we are all facing on a daily basis, so my answer to those authors is, if your livelihood depended on your Hachette book sales, perhaps you signed the wrong contract. You should have asked Hachette for proper guarantees, instead of giving them carte blanche and assuming they would always act in your best interest. Isn’t it rather naïve to be under the illusion that Hachette has any interest in protecting an author’s best interests? This is a company that has, for generations, made a business of bullying writers out of royalties, squeezing every cent out of their creative pool that provides the actual content for their business—meaning the authors—and then having the audacity to pretend it is all warranted and good business. Sorry, not following here… missed a turn somewhere.

By signing your current contract, you have allowed a book publisher to corner you, fob you off with a meager 25% or 30% royalty rate, making no guarantees whatsoever, making absolutely no commitment to you, delaying payments as long as they legally can. You signed the contract! It’s your own fault. You forgot one very crucial fact about the industry—Amazon is selling books, not Hachette. Hachette is a middleman, and of dubious reputation to boot, whose business relies one strategic partners. They antagonized their key partner and you are the pawn in all of this. Hachette is counting on you to be upset, you are their muscle—or so they believe. At the same time you have absolutely no way of controlling your destiny. You have signed away your rights without any chance of recourse, giving a bully free reign. So, don’t complain to the world how bad Amazon is. Try to be honest to yourself and face the music. You brought this upon yourself. Just earn from it and make better decisions next time!

But all contracts are like that, right? It’s the industry standard. This must be the lamest excuse ever. Only because authors allow publishers to exploit them doesn’t make it right, and authors could have changed things a long time around. There is strength in numbers and if authors would collectively refuse to give up their rights for a few bread crumbs, publisher would have had to raise the bar and offer better business terms a long time ago. But as it stands, there is always some desperate soul out there who’s willing to sell their book for chump change, just to see his name on a printed book published by an extortionist. Strange, I know, but I tell it how I see it. And the weirdest thing is that big names like Stephen King and James Patterson are actually among those people advocating this practice. Then again, not so strange, perhaps, considering that their publishing terms are much more favorable than yours, and that unlike you, they have the full backing of their publishers.

Meanwhile there is a flood of books coming out from writers who self-publish. They make more money per sale, they have full control over their books, they have full ownership in their books, and some of them even break out and sell millions of copies, managing their own destinies. It is an option that was open to all of Hachette’s authors as well, so once again, if you signed a cutthroat contract that leaves you hanging out to dry in this time of crisis, it certainly isn’t Amazon’s fault.

In addition, Amazon has released a statement on the subject some time ago in which the company even outlined plans to subsidize affected authors, provided that Hachette does the same thing. This put the ball squarely in the publisher’s court and yet, Hachette did not react to it. Instead they bought another publisher, Perseus Book Group, in order to gain leverage in their position against Amazon. Hahahaha! Earth to Hachette—you’re no longer relevant in the book world, and in case you didn’t notice, you are nose-diving!

So far, the overblown reactions to this confrontation have had a very orchestrated feel, to the point that you wonder if Hachette was actually buying off the media to build sentiment against Amazon. Leaked emails that Hachette sent to its authors seem to substantiate this, in which the publisher clearly contorts truths, and hides relevant facts and information even from the heart of its operations, the authors.

So, ask yourself? Who is the bully? The kid who keep pushing others around, posturing, threatening, intimidating, or the kid who eventually stands up for himself and fights back?

zencover I honestly had not expected how much work it would be, putting together my book Zen of eBook Formatting. After all, I had the blog tutorial to build upon, and yet, it took me many months to flesh out the final book, add in all the little details and additions, and tweak it to make sure it is as accurate as I can make it. Part of it had to do with the fact that eReaders have turned into a sea of incompatibility.

eReaders have turned into a sea of incompatibility

While the original “Take Pride in your eBook Formatting” tutorial is still every bit as relevant and applicable today as it was when I first published it a few years back, as soon as you want to go beyond the most basic formatting features, you get caught up very quickly in the morass of device limitations and quirks.

With each new device generation new problems are being introduced, and considering that we are now looking at fifth or sixth generation devices, one can quickly get lost in the maze of dos and donts of eBook formatting.

I am not pointing fingers here because every manufacturer contributes to the problem. Apple with its incompatible ePub implementations in iBooks for one, Amazon for other limitations and countless firmware bugs, Barnes&Noble for a different set of firmware bugs. Each of them making it harder for eBook formatters to navigate these waters and create reliable products.

Switching a font face, for example should be a completely trivial thing. According to the HTML standards which underly both the MOBI and EPUB format, you should be able to switch fonts anytime on a block level. Sadly, this is not true in the world of eBooks.

Typically a code snippet like this should work fine on any device, assuming we have a span style called “newfont” that sets a different font family.

<p>Let’s <span class="newfont">switch the font</span></p>

Sadly, all of Apple’s iBooks devices and software do not follow this standard. Not even a snippet like the following one works.

<p class="newfont">Let’s switch the font</p>

iBooks does not recognize font family settings in <p> and <span> elements, which is completely inconsistent with HTML standards. It is not a mere oversight, however, because Apple has been dragging this problem through all iterations of iBooks, since its inception years ago. One can only wonder what Apple’s software engineers are thinking.

If device manufacturers would stick to the standards in the first place, hacks like these would not be needed

I found that oftentimes I have to double-stitch solutions, nesting different solutions, so that if one doesn’t work there is always a fallback. The work-around to fix this particular problem is to use another block-level tag in order to pass the information to iBooks.

<p>Let’s <span class="newfont"><cite class="newfont">switch the font</cite></span></p>

While this is not the most elegant solution, and purists will scream out at the misuse of the <cite> tag here, the reality of things is that as eBook formatters we currently cannot afford to be purists. We need formatting challenges solved and in this case <cite> addresses a very specific problem. If Apple would stick to the standards in the first place, hacks like this would not be needed.

I found that the same kind of double-stitching is sadly needed if you want to strike out text, as in draw a line through it. It is not a very commonly used text feature, but if you need it, it is imperative that it shows up correctly.

Instinctively you would use the <strike> tag, which has been part of the HTML vocabulary since its inception. <strike>, however, has been discontinued with the HTML5 standard, and as a result there are now eReaders that no longer support it. They require the <del> tag instead, which, quite by coincidence, is not supported by some older devices, of course.

As in many cases, double-stitching the solution is the way to go for me and whenever I have to strike out text, it will look like this.

<p>This is how you <strike><del>strike out</del></strike> text.</p>

Once again, not the most elegant solution, but as you format eBooks, you will have to get used to seeing things such as this more and more often. As I said, with every new generation of eBook devices, the number of these types of inconsistencies will grow and the need to find and apply band-aid solutions will sadly grow with it.

If you want to find out more about basic and advanced eBook formatting techniques, make sure to check out my new book Zen of eBook Formatting, which details all the necessary steps to create professional-grade eBooks.

The past months I kept myself busy completing a new book on the subject of eBook formatting, as many of you may know. I am happy to announce that the book is finally available! For only $5.99 you can now benefit from the years of experience I have had as a professional eBook formatter, learning the ins and outs and the tricks of the trade I have applied to many hundreds of eBooks from New York Times bestselling writers and indie authors alike.

zencoverZen of eBook Formatting is in the same vein as my “Take Pride in your eBook Formatting” tutorial series, but it goes way beyond that, as it is vastly expanded and updated. In the book I am taking readers through the entire workflow that I am using every day for the projects I am working on for my clients. In an easy to understand manner—I hope—I am not only explaining the steps, but also explain why these steps are necessary and why I do things the way I do them. The result is a tutorial-style self-help book that is chock full with examples, tips and coding snippets.

Having formatted well over 500 eBooks at this time, I am covering the entire process, from the basic manuscript cleanup, to the basics of HTML and simple markup, all the way to advanced techniques that allow you to add an incredible amount of polish to your eBooks without necessarily sacrificing device compatibility.

Just to give you an impression of the breadth of subjects I am covering, here is the Table of Contents for you.

Table of Contents

  • Preface
  • Introduction
  • 1 – The Road to Right
    • Understanding eBook readers
    • Why you should not use a word processor
    • The road to Right
    • Tools of the trade
  • 2 – Data Structure
    • HTML
    • CSS
    • Prepping your style sheet
  • 3 – Cleaning Up the Manuscript
    • The Power of Em
    • Time to clean up your manuscript
    • Fixing up styles
  • 4 – From Word Processor to Programming Editor
    • Nice, clean and predictable in HTML
    • Paragraphs are the meat
    • Fleshing it out
    • Dealing with special characters…the right way
    • A word about fonts
  • 5 – General Techniques
    • Centering content
    • Images
    • Image resolution
    • Chapters
    • Typography and Layout
  • 6 – Advanced Techniques
    • Chapters
    • Initials
    • First-line capitalization
    • Formatting inserts and notes
    • Formatting emails and text messages
    • Image blocks with byline
    • Custom fonts
    • Linking to the outside world
    • Lists
    • Backgrounds and Color
  • 7 – eBook Generation
    • eBook formats
    • Meta-Data
    • The Cover
    • The TOC in the digital world
    • Calibre
    • More control with XPath
    • KindleGen
    • Error-checking
  • 8 – eBooks Outside the Box
    • A Word about Fixed-Layout Books
    • Preparing for Smashwords
  • Parting Thoughts
  • 9 – Appendices
    • Chart of named entities
    • Resources
  • About the Author
  • Also by Guido Henkel

The key to me, when putting together this book, has been to make it possible for anyone to create an eBook that has a professional level of presentation. Too many authors use shortcuts to create eBook version of their manuscripts, flooding the market with broken and sub-par product that leaves a bad taste in readers’ minds, when in fact, applying a little bit of discipline could elevate them from that riffraff and make their books like a million bucks.

Zen of eBook Formatting is targeted at all those of us, who care about their books, not only the words we wrote, but also that they are presented to the reader in a clean and professional manner that works on as many eReaders as possible. Hopefully, with Zen of eBook Formatting at hand, this goal will be within reach for many more authors.

Grab your copy of the book an Amazon now!

Over the past three years or so since I first published my “Take Pride in your eBook Formatting” series of tutorials here on the site, a lot of people have asked if I would make the tutorials available as an eBook as well. For a number of reasons I never created an eBook on the subject, in part because I simply could not spare the time to put it together. If I wanted to release something like this as an eBook it would clearly have to be cleaned up and expanded upon in order to warrant any sort of price tag attached to it.

Well, over the past few weeks I took a look at the tutorials again and I have finally decided to create an eBook on the subject of eBook formatting. Since my tutorial series has become the de facto standard in the industry and is being used by countless authors to prepare their books for the market, I felt it was finally time to take it to the next level.

As I pointed out above, creating a mere reprint of the blog tutorials is not at all what I have in mind. Instead I have spend these past weeks reworking the instructions to give the entire process a clearer structure, but also to add many of the topics and elements that I did not touch upon in these tutorials. The tutorials were designed, really, to get people started, but with a book I feel it requires a lot more in-depth information to be of any value at all. It needs to be more complete, and as a result, the book will consist of a section with basic techniques that will get you to your first eBook, much the way the tutorials did, but in addition, the book will contain a section with advanced techniques in which I will describe how to achieve certain effects and how to handle certain formatting challenges that pop up every day, but require a bit more explanation and additional skill. Naturally, I am trying to keep it very accessible still to ensure readers can easily follow the instructions and examples.

Over the years I have seen many blogs that touch upon the subject of eBook formatting and some of the posts I came across were frightening—in the sense that they promoted techniques that are highly unsafe. While they achieved the goal for that particular individual, oftentimes the approach was nothing short of reckless, using very specific device capabilities without pointing out to the user that this behavior is not supported by other devices or that it can actually create unexpected behavior and lead to page corruption. Clearly, these authors never had the time to fully explore the techniques they were proposing, or didn’t have the foresight that their suggestion could create more problems than they actually solved.

In my book I have maintained my long-held stance that eBook compatibility is one of the highest priorities. The goal is to create eBooks that look good on any reader out there, whether it is a tiny cell phone or a large desktop computer. I am a professional eBook formatter (Click here for more information if you are interested in my services) and I have prepared more than 700 books for release in the market, by an enormously wide range of authors and styles. Of these 700 books not a single one has been known to cause formatting problems, clearly showing that with insight and forethought, it is possible to create eBooks that are compatible even in a market as fragmented as eBooks.

I am sure it won’t surprise you that many of the techniques outlined in my book will cover the subject of eBook formatting from that angle, offering up safe solutions, or, where no safe solutions are available, at least pointing out the risks and challenges and how they can be minimized by the formatter.

Filled with tips, tricks, techniques, examples, screenshots and plenty of code, the book will hopefully become a one-stop solution for all authors who want to dive in to the technical side of their eBook projects.


Would you like to use my services?

Need help with an eBook project? Check here for more information.

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In need of an author website or blog? Email me at for more information.

We are heading into year six of the digital book revolution and while there have been tremendous advancements in the sector, one thing has not changed a bit. There still is no magic bullet for eBook formatting. It’s not even anywhere on the horizon.

Dragonlance1In a time where eBook readers have become increasingly powerful and capable, and where more authors than ever put their content out in the market, one would think that formatting manuscripts to publish them as eBooks should be as trivial as exporting them from a word processor, but alas, that is not the case. Whether it’s releases from small indie authors or titles from major publishers, I continued to stumble across eBooks that are shoddy at best. Just a few months ago I was re-reading the Dragonlance Chronicles by Hickman/Weiss—a staple of high fantasy literature that has been in print for 30 years now, and yet, the eBook versions are an abomination in many ways. While it is evident that some work went into the books, they are nonetheless riddled with formatting errors that clearly show that no one at Wizards of the Coast took a single look at the books once they were formatted, let away read them before they went out the virtual door.

Is that truly the promise of the digital age? That we have to content ourselves with mediocre quality and sloppy presentations? It is just because it’s easy and cheap to produce and anyone with a computer can do it? Or is it because price points have come down so much, resulting in content creators and publishers no longer caring about the products the way they used to, because it’s all considered shovelware, anyway?

I’ve said it many times, but it is well worth repeating. The formatting of your eBook is every bit as important as your cover and your story. If your book becomes unreadable because line breaks are mutilated, margins jump all over the place, fonts get butchered, graphics become indistinguishable or errant page breaks destroy the flow, you are in trouble. I have put aside more than a handful of books after a few chapters because I found the reading experience too egregious — and I am sure that I am not the only one. (I remember vividly, the first one this ever happened to me was Charlie Courtland’s “Dandelions in the Garden,” for which I paid $9.99 on the Kindle and had to put down after two chapters because every single page was riddled with a multitude of typos, grammatical errors and formatting flaws-all of which the author herself considered a matter of personal taste and absolutely acceptable.)

Sure, the temptation is enormous as a writer. You have finally completed your book after a year’s worth of writing and—hopefully—tweaking, and without a publisher to hold you back for another year, you are eager to put your work out in the market, in the hands of readers. Nothing wrong with that. The problem really starts when you believe that the “Export as ePub” function in your word processor is your road to an instant release.

Kitt PirateWord processors are a great piece of software, but they are designed to write text and to do a bit of layout work, perhaps. All of it with your computer screen or a printed page in mind. Absolutely nothing in a word processor is designed for the requirements of eBooks. The famed “Export as ePub” function was nothing but an afterthought in that software, that has been included because someone thought it may help sell a few extra copies of the word processor or entice the growing army of aspiring digital authors to finally upgrade their software package.
eBooks have very specific requirements, capabilities and limitations, and they are not adequately represented by word processors. Things that look right on the screen or the printed page may not work the same way on an eBook reader.

While it is possible to create a good eBook with a word processor, it requires intimate familiarity with the software’s features. If, for example, you do not know what the difference between a soft and a hard line break is, let away how to create each, or if you do not know how to properly space text and paragraphs, the odds are, you won’t be able to create a solid eBook output. If you’re not familiar with your word processor’s style functions and are not religiously and obsessively using them, or if you do not know how to properly create an automatic bulleted list in your word processor, chances are that you are not ready to export your manuscript as an eBook using the “Export as ePub” feature. The list goes on like this.

I am not here to make you feel bad, because considering how complex word processors are these days, few of us truly master the software. But that’s not the point. You don’t have to, if you’re a writer. Your job is to write a cool story, pack it all up nicely in a suspenseful and engaging way that keeps readers glued to your words. Making sure it fits the technical limitations of an eBook reader is someone else’s job. Or rather, it should be. Someone with an understanding of the technical side of things, and with the ability to whip your writing into such shape that it works on any device. It’s a specialized field of expertise where the experience you purchase will save you countless hours of headache and will protect you from having to deal with potentially countless upset readers and customers.

It may be fulfilling to see your complex layout with text flowing around images and wonderfully elaborate drop cap initials on your iPad after exporting it as an ePub file from your word processor, but have you ever wondered, what the book may look like on another device? An early-generation Kindle, a Nook, perhaps, or the Kobo reader? What about a tiny cell phone or a retina computer retina display? Not all devices that people read your books on are equal. There are huge gaps in capabilities between various devices, and your software exporter cannot—and will not—accommodate them. It won’t even try. It will try to create what the programmer who wrote it deemed best, even if it means that in the real world you are leaving 90% of the market by the roadside.

Even within device families there are enormous capability differences. The Kindles, for example, by far the most popular eBook readers, range from a device that is barely capable of displaying an image (Kindle 1) to a full-blown tablet that can do virtually anything, including play games. Most Kindle devices have serious glitches and firmware bugs that got progressively worse with each generation. I made a blog post about the subject three years ago and it is frightening to see that Amazon never addressed as single one of these “10 Things Amazon should correct in the Kindle”. So, when you format an eBook, you definitely need to be mindful of these differences and idiosyncrasies at all times.

But back to even the general capabilities. Amazon for all the great stuff they’ve been doing for the eBook revolution, has completely dropped the ball on various fronts over the past years, clearly indicating that the company simply looks forward without ever trying to patch up previous mistakes. As a result there is no easy way to bridge these different capabilities in any workable way.

Ideally you would want the ability to create dedicated eBooks for devices with different capabilities, but sadly Amazon and every other distribution outlet does not allow for that. You have to have one build of your book that serves all devices. While Amazon allows a bit of conditional formatting, it is in reality very basic stuff that is so rudimental that it is mostly useless. Therefore you are forced to build your eBooks for a common denominator and you have to make sure it will work on all the devices out there.

No “Export to ePub” feature does that, which brings us back to the point that you should work with people who specialize on that kind of thing. As you may know, I have written an extensive eBook formatting tutorial some time ago, and I am offering eBook and print formatting as services. The truly amazing thing about the tutorial is that over time it has become the de facto standard for the industry and that that even now, four years after I wrote it, it is still valid and applicable in every single aspect. In a world where technology moves at such a rapid pace, it is clearly a testimony to the quality of the underlying fundamentals of the tutorial. Every book formatted following the tutorial still works on every device out there, and it is still the same general process I apply when formatting my clients’ eBooks.

On the IslandIf you would rather focus on your writing and leave the technical aspects of your ebooks to people like me, feel free to send me an email. I have formatted over 700 books, all of which are available in eBook stores worldwide, and many of them are full blown bestsellers selling hundreds of thousands of copies. And among these roughly 700 books, not a single one has caused any problems in the past!

If you want to make sure your readers are happy with the eBook you sold them, and if you want to make sure the books won’t be returned because of weird glitches or formatting errors, feel free to take a look at this page where I am outlining my services and my fees. I am happy to work with all sorts of authors and publishers, big and small, to make sure they can publish their books with confidence.

Forget about the promises of a magic bullet. It does not exist. Instead, take the proper steps to ensure the quality of your eBook from the inside out.

For more information and professional tips and tricks, please make sure to also check out my new book Zen of eBook Formatting, which is now available on Amazon.

I recently did a lengthy podcast interview the great folks over at Darkstation and I thought I’d let you all know that the podcast is now live on their site in the “Darkcast” section.

Darkstation Logo

The podcast has the title Making Zombies with Fire and covers a lot of ground. Not only did we talk about my current game project, Deathfire, but also about some of the games and projects I’ve worked before, including a brief discourse into my literary forays with the Jason Dark dime novels.

Interestingly, the discussion also revolved around things such as general game design philosophies and how my approach has changed over the years, as well as other very interesting topics that fans of my games may find interesting. So, waste no more time. Head over to the Darkstation Darkcast and listen for yourself.

[Just a quick note here before you read this article. Since writing this blog post I have received a contributor copy of "The Spirit of Poe" from Jeremiah Wright. However, I still have to point out that I received the copy in mid-March 2013 and only after relentlessly sending emails, requesting a copy. Considering that the book was supposed to be published in October 2011, and was actually published in July 2012, this is a substantial delay, which was bridged over by deception and complete radio silence in-between.]

As many of you may recall, in the past year I have occasionally talked about The Spirit of Poe, an anthology that was designed to support the Poe House in Baltimore after it lost its city-sponsored funding. A company by the name of Literary Landmark Press put out a call to writers at the time, asking for submissions for the book and I was one of those who answered the call.

Sadly, things went downhill from there. At first it seemed minor. Delays prevented the book from making its 2011 Halloween publishing date. Okay, fair enough, I thought the timeline had been a tad unrealistic to begin with. but then the months started to drag on. Not a word from the publisher. Eventually I sent a message to Jeremiah “Jerry” Wright, the editor of the book who also goes by the name WJ Rosser, and asked for clarification. He explained to me that various circumstances held back the introduction of the book, which he felt was crucial to its credibility.
Very well then. More months passed and not a word form the publisher. Eventually the authors got upset as a collective and we started to email each other, trying to get to the bottom of this. At first Rosser tried to avoid the conversation by ignoring emails and questions. After some time he had to budge, though and offered more excuses, but promising the book would be available shortly, currently being typeset.
Sadly for him, someone actually checked with the company Rosser used to lay out the book and found out that they did not even have materials to work on the project. Again, we queried Rosser for comment. Reluctantly he responded, telling everyone that the company was wrong and that he had in fact delivered all the materials. And so it went, month by month.

Rosser never made any attempt to inform his contributors or the public about the status or progress of the book and one day, about a month ago or so, it popped up on Amazon. For the Kindle first, and then as a print edition.

Naturally, we were all very excited, especially when for the first time in a year, Rosser volunteered an email in which he stated that contributor copies had been sent out and should be with everyone within a few days. Well, weeks passed and nothing arrived. Not on my doorstep, and not on anyone else’s, it seems.
And that was when Jerry Rosser practically vanished…

At this point I sent five emails to him, asking for clarification what happened to the contributor copies. Not one of them he responded to. Other authors sent emails to him, asking for information and their contractually promised payment. Not a peep. Rosser all but ignored the questions. but there’s more. When people started to post questions on his website. He deleted them, and when people posted question on the book’s Facebook page, he also removed them as quickly as a button drop. When one author posted a negative review on Amazon’s website, pointing out the publisher’s fraudulent behavior, it, too, was removed within a few days—undoubtedly upon request by the Rosser, the publisher.

So, quite evidently, he is out there and he is monitoring what is going on, and deliberately refuses to talk, deliberately cheating the contributors out of their money and the obligatory contributor copies of the book.

It is not usually my style to openly comment on deals going sour and relationships going bad, but this time I felt compelled to speak up because I feel that not only I have been jilted, but many of you might be at risk of being cheated as well. Whenever someone purchases a copy of “The Spirit of Poe,” they expect the majority of the revenues to go to the Poe House for a charitable cause. Sadly, at this time, I have reason to believe that that is not happening.

Since Literary Landmark Press has cheated every single writer in the anthology out of their payment, and since the company has never provided any actual copies of the book to its contributors, there is little that would convince me to assume that the publisher is honest enough to actually make true on their promise to donate proceeds to the Poe House.

I wanted to bring this issue to your attention so that you may decide for yourself, in case you consider buying a copy. Meanwhile I will try to find a different outlet for the short story The Blackwood Murders that I contributed to the book, so that people interested in reading it will not have to actually support a crook.

The announcement of the next generation of Amazon’s Kindle has set the eBook world abuzz once again. Not only are the new models more attractive than their predecessors, but they also expand the market in new, untapped territories. For authors, this is great news, of course, but often, where there’s light there’s also darkness.

Kindle PaperwhiteIn this case, the cloud on the horizon lies in the technical specs of these new devices. With a bit of worry I have observed over the past year or two that the eBook market is becoming more and more fragmented. In a very bad way, it reminds me of the mobile game space I have also been working in, where, at times, it was necessary for us to build up to 200 different versions of the same app to make sure it properly supports all the handsets in the market.

While the eBook market is not nearly as bad, of course, there is an increasing trend of changes – or call them features and improvements – that can work like sand in a ball bearing.

Fortunately we have to contend with only two generic eBook formats at this time – MOBI/KF8 and EPUB – and it is easy enough to build eBooks for both formats from the same sources.

However, since the inception of the iPad, problems have cropped up that force eBook publishers and formatters to think very hard about what it is they want to do and how to achieve the desired effect. Fixed-layout books and their particular quirks, and the lack of a general standard to create them, is just one of the issues publishers have to tackle these days, and it is exacerbated by the fact that even within the Kindle line of products, it is not possible to really create specialized builds for each platform. A fixed-format Kindle Fire eBook will inevitably make its way onto a regular Kindle – where it doesn’t belong – because Amazon does not give publishers the possibility to create specialized builds. As a result Kindle owners will look at a book that is horribly mangled and probably unreadable, while it looks mesmerizing on a Kindle Fire. I am not sure in whose best interest that is, but that’s the way Amazon does it.

The reason I am writing about this is because according to Amazon, the new Kindle Paperwhite line of models offers 65% more pixels. In plain English, it means it has a higher resolution than previous Kindles. That is really great news in regards to sharpness of the text, of course, but from a formatting standpoint it causes certain problems. An image that was perfectly sized for the Kindle’s 600-pixel resolution to date, will suddenly appear much, much smaller on the page. In many instances, this will not be overly dramatic, but if you use images deliberately as a design element, it will force you to rethink how you approach images in eBooks. Just image how tiny the image will look like when it’s being displayed on the new Kindle Fire HD with a resolution that is three times as wide as that of the original Kindle.


How would you like your artful chapter heading to look like?

In the past I have sized images to suit the 600 pixel screen. It helped keep the file size in bay – why bulk up a book’s footprint for no apparent reason, especially since the publisher is being charged for the delivery of the book based on the size of the file. This approach may no longer work, however, if you want high quality images across the board.

I’ve been therefore rethinking my strategy and going forward I am sizing images to a higher resolution and then determine their on-screen size, using scaling through my CSS style sheet. This allows me to make sure the image will always appear the same on the display, without degrading it on higher resolution screens. If anything, it may degrade the quality scaling images down to the older Kindle models.

If Amazon offered platform specific builds for their line of Kindles, this would not be a problem, but things being what they are, a one-size-fits-all approach is necessary, and hopefully, this will do the job.

In many ways, I wish that Amazon would make me part of their Kindle design team or at least would allow me to work with them. After all, I’ve had over 35 years of experience as a software engineer in arenas that were a whole lot more complex than an eBook reader.

Many of you may remember my post 10 Things Amazon should correct in the Kindle from a year ago, and it is rather disheartening to see that virtually none of these issues have been addressed. In fact, if you look closely, not a single one of the issues has been addressed to date. While I have not seen a Kindle Paperwhite at this time, I doubt there will be many changes in the firmware that would address these issues. It seems to be more of a change in terms of the form factor and a hardware upgrade than a rework of the actual reader implementation – but I could be wrong, of course.

To me as a software engineer, author, publisher and professional eBook formatter, the omissions are truly painful to behold. amazon has done great things for books, by truly establishing eBooks as a reading medium, making it the new mainstream standard, all the while opening the doors for authors to publish their own work. All great achievements and I honestly doff my hat to Amazon for their incredible foresight and the vision they had during the past three years.

That, however, makes the technical shortsightedness all the more prevalent. All of the issues I raised before have been around since day one, and clearly someone within Amazon should have championed their correction. It did not happen. Not even when people like myself and others have called them out.

Amazon has never been a software or hardware developer before the Kindle and as such it was to be expected that there would be hiccups in the product and the delivery. No big deal. However, the market has reached such a maturity, that glitches like inconsistent text justification, the lack of transparency in PNG images and other omissions become glaring issues that should have been resolved two years ago.

The Kindle has to mature and it has to mature with foresight or we are gong down the road of mobile games, where you need 200 individual builds of an app. There are great developers out there who would have been happy to assist Amazon in their objective, but instead of embracing them, Amazon has often shunted them.

A command-line MOBIGEN program is just not the same as the luxury you get out of a program like Calibre. Amazon should have long looked into creating high quality content creation tools that help authors to increase the quality of their output. Too many self-published books are still created with an MS Word export or an InDesign plug-in that cause more problems than they solve.

Amazon should also have long started to put in place platform-specific delivery of eBooks, along with was for authors to properly set up books for each of these platforms.

Amazon should also have expanded their eBook format in ways that are truly practical without having to jump through hoops. The introduction of KF8 was a horrid debacle to say the least. Confusing authors and readers alike, the implementation is not what it should be – many things could have been implemented much more efficiently, making it easier for formatters to prepare the eBooks while also giving them a certain level of control over the appearance of their content. If you’ve ever tried to take a look at a black and white line-art image in the “Night” setting of your Kindle, you know what I mean, and the whole image sizing issue puts the dot on the i, I think.

I don’t want to harp on this unnecessarily excessively, but it also appears as if Amazon has long forgotten its pledge to bring KF8 support to the Kindle 3 generation of devices. As far as I can tell, that has never happened either, and yet, the train of model innovation moves on…

With all the new glitz and glamour that accompanies every new Kindle model, for publishers, each new generation brings with it a new set of challenges. It’s not necessarily a bad thing, but as I said, I wish Amazon would allow me to work with them to help them make these transitions as easy as possible, at least from a content creation standpoint. If anyone from Amazon is reading this, you know where to find me…

Today I would like to welcome Angela White as a guest to my blog, as part of her blog tour to celebrate the release of her latest novel “Adrian’s Eagle.”


gun barrelWhen someone says the word Apocalypse, the mind immediately conjures up images of whole cities burning while zombies or crazed people run wild in the streets. There’s always arson and looting, rape and murder, and none of the innocent people caught in the crossfire have a weapon or even know how to defend themselves. Once a little time has gone by, all the characters, good or bad, pack heat, and self defense becomes as important as food and water.

In a real apocalypse, the same will be true, but it won’t be just other people that are dangerous. Alone or in a group, protection will be vital and even those who loath weapons and abhor violence will carry them. There simply won’t be any other choice.

Like the refugees in the clip below from my new release, survivors will have to go searching for these life-savers. As time goes by, guns and bullets for them will get harder to find. Stockpiles should be gathered during the weeks after the apocalypse.

“Seven very gifted survivors are destined to rebuild their country after a nuclear apocalypse…If they can stay alive long enough to find each other. Impossible to put down.” – The Review Blog

“Are you sure?” Adrian cut her off. “Don’t turn down destiny. Sometimes, you only get one knock.”
He moved toward the driver’s side and the air suddenly went cold, plunging the Eagles into instant alertness.
Angela blanched as a wave of panic swept over her. “Your gun!” The Witch ordered sharply.
“Boss, watch out!” Kyle’s hand dropped for the Glock, already knowing he couldn’t make it from where he stood.
Bang!
The single shot seemed to echo forever and all of them, except Adrian, turned to see where it had come from.
Adrian stared at the dead rattlesnake by his tire, listening to its mutated tails twitch, and the Eagles around them stilled, waiting to see if she would be treated the same as one of the men.
“You have one request.”
Angela calmly re-holstered and used the moment to make it all official. “I’ve already asked it.”

Full of realistic and fantasy situations, the Life After War series is a combination of more than 7 genres, so there’s a good chance of everyone liking it and learning a few things about survival at the same time. You can get a free copy at the link below, of the first book in the series. It’s free for all of this year to celebrate the possible end of the world on 12/21/2012.

Adrian's EagleAdrian’s Eagles — Three months after the War of 2012, Safe Haven refugee camp has made it to South Dakota and now holds six of the seven special survivors meant to lead the rebuilding of their country -but it can’t be done until they find a safe place to settle… and who can think of peace when there’s a huge camp of foreign invaders less than a day behind their group and they only want one thing? Safe Haven and everyone inside the light.
Watch the trailer for this series
Free- The Survivors – The bestselling novel that started it all. – See on iTunes
More Scenes of the Apocalypse

Btw, a huge thanks to Guido for hosting me on my Scenes of the Apocalypse release tour. Have you read Dead by Dawn yet? It’s only $2.99! I just downloaded a copy to my Kindle. Gonna have a great summer of reading by the time I gather up all these new books!

This week a new animated movie makes it to theaters, taking a humorous look at the world of pirates. Aptly titled The Pirates! Band of Misfits you may have seen the trailer of the movie flicker over your television screen for the past weeks. If not, well, all is not lost – here is a look at the trailer for you.



This film is an old-school stop-motion film, created by the same people who made the Wallace & Gromit shorts and movies, as well as the movie Chicken Run, in case you remember that one. So with that in mind, I think it is a sure bet that “The Pirates!” will be a fun film that is enjoyable for the whole family.

Why am I pitching you on this movie, you wonder, no doubt. No, I did not work on the film, I did not write it either and no, I did not appear unit nor did I voice any of the characters. I did, however, write a Pirate book for children some time ago, and I felt this was as good a time as any to remind everyone of it.

Kitt Pirate cover

Called Kitt Pirate: Snaggletooth’s Treasure, my book is a chapter book adventure story for 4th graders, in which a young pirate captain is trying to hunt down a legendary treasure. The adventure is fraught with peril and surprises, as it keeps young readers enthralled, and has been reviewed very favorably by readers and school librarians.

“And why does it say Ben Oliver for the author?” you may wonder when you look at it. Rest assured, I did not direct you to the wrong book. Ben Oliver is a pen name that I adopted for the book, because I did not want children to accidentally stumble across all my horror books the first time they type in the the author’s name in Google or so.

So, if you want to get your kids in the mood for the movie, or if you want them to be able to follow up the movie with some additional children-friendly pirate fare, Kitt Pirate might be a great pick for you — not to mention that your purchase would make me very happy. It is available as a paperback, as well as an eBook for all conceivable eBook readers.

Here are some quick access links for you to find the book.


Amazon Kindle
Amazon Paperback
Barnes&Noble Nookbook
Barnes&Noble Paperback
Apple iBookstore
Kobo eBookstore