The Deathfire Kickstarter is live!

If you’ve been following the development of my current game project, “Deathfire: Ruins of Nethermore,” you may be aware of the fact that we are currently trying to find this project on Kickstarter.

Here is a short trailer for the game, which taken from the full Kickstarter pitch video. Check it out and see if this is something you like.

So far we’ve already raised almost $40k, but it will be a long, hard way to the end, to get the full funding in place for the game, which is necessary to make the Kickstarter succeed.

Fortunately, you can help – even if you’re not into games and even if you don’t care for this one in particular perhaps. Why? Because your friends, relatives or acquaintances might be interested, and all I would ask of you is to share the good news. And to make it really easy for you, I have even prepared a couple of buttons, so that with three simple clicks, you can do a tremendously good deed and support our efforts. Just click on the link below, if you would,and my eternal thanks will be guaranteed. not to mention that your karma will go through the roof!

deathfiregame.com/ks/share/Share.html

As you may recall, “Deathfire: Ruins of Nethermore” is a single-player party-based fantasy role-playing game that combines deep characters and solid storytelling with turn-based combat. One of the really cool things about the project is that we have a great team, consisting of people I have known and worked over the past 25 years or so. Some of our team members go back with me as far as “Shadows over Riva.” How cool is that?

It is a fun project to develop, and we’re trying to make something that truly harkens back to the traditional role-playing games of the Golden Era, when we all glued to our screens playing “Realms of Arkania,” “Wizardry,” “Might&Magic” or “Dungeon Master” and such. Creating the same kind of depth and attachment, but wrapping it in new technology and a beautiful visual presentation, we hope that “Deathfire” will truly speak to people who love classic role-playing games. After all, it’s what we know how to do best.

The Deathfire Development Diary has moved

I know that I have been remiss on this, and I apologize, but we opened the official website for my current game project “Deathfire: Ruins of Nethermore” a little while ago and have transferred all the Development Diary entries over there. Instead of updating both blogs constantly, I think I will stop posting these updates here and will do them on the official site instead.

In case you missed the past update, we released a series of screenshots recently, showing some of the interiors of one of the game’s dungeons. You can find the post here, complete with a bit more background information.

Today, I have also posted a new Development Diary update, talking briefly about a number of new members who have joined the “Deathfire” team recently. Make sure to stop by and check it out, because the post also sports two new screenshots showing off some of the improvements we have been working on in the past weeks, to increase the visual impact and atmosphere of our scenery in Unity.

While venturing through the catacombs somewhere in the depths of the Ruins of Nethermore the other day, we stumbled across a strange set of notes. They seem to be coming from the pages of a diary. In fact, someone suggested, they might be a diary entry from the great elven wizard Tesselar.

Tesselar

Long and heated discussion broke out over this suggestion here in our offices, but the more we did our research, the more it became evident, that the handwriting does indeed seem to match that of the legendary Tesselar. We also discovered hints in various reports that the elusive wizard-who-walks-the-ages has been seen approaching the Nethermore Mountains some weeks past, shortly after the initial outbreak of the undead plague. Tesselar’s appearance is significant, of course, in many ways, because the wizard magister had not been seen for many years prior, and the only explanation for his presence in the Nethermore region is that he has been following the same goal as ours… to find the source and stop the horrors of the walking dead, just as these mysterious notes indicate.

You are skeptical? Well then, read for yourself…

Tesselar's Diary

Earlier today, I reached an intersection in the tunnels deep beneath the Nethermore Mountains. The stench that lay heavy in the air down here was so overpowering that my knees began to buckle. I had to lean heavily on my staff as bile rose in the back of my throat, triggered by the stench of decay and rot that surrounded me. I was wrestling with the many emotions that flooded over me at the sight that lay before me. So bizarre was it that I have to commit it to paper in detail. No part of it must be lost or forgotten. For some reason, I have a sense that what I’ve been looking at is more important than it may seem just now, and I may need to rely on my notes at some later point.

The path before me was rough. Here, deep beneath the Earth, the bedrock had chiseled its own path, the force and sheer weight of tons of granite forcing itself between the old walls of the catacombs, creating deep rifts, and cracking the overhead structures with ease. I was surrounded by silence, except for reluctant drops of water that echoed in the distance as they dripped to the ground. The soft, shimmering light from my staff struggled to penetrate the darkness before me.

The peaceful silence was deceiving, for I was surrounded by at least one dozen animal carcasses; cadavers that appeared to be clawing at each other even in the moment of death that had caught up with them no more than two days ago. Reluctantly, I stepped toward the rotting flesh, careful not to trip on the brittle ground. Wet and black from the sewage and blood, my rope was steeped up to my ankles. As I looked closer, the light of my staff revealed that these were no animals. At least not ordinary animals. Their rat-like bodies were decidedly humanoid and must have been at least as tall as a man. The cadavers were clad in armor and carried weapons, as far as I could tell from their shredded remains.

As my gaze roved across the floor I noticed another dead creature among them. Amongst the rat-like warriors lay slender, insect-like body parts, their severed heads staring at me with dully facetted, expressionless black eyes. What a massacre… what rage… not a single victim that was left intact.

But then, from the corner of my eyes I noticed a single rat, somewhat separated from the others. Lying partially obscured in the shadows, this one was not humanoid, but instead it was enormous… easily the size of a fully grown Worg. The animal had deep cuts on its head and hideous lacerations along its flanks – wounds far beyond anything that healing powers could salvage, and yet, a last dying spark of life was still glimmering in the eyes of this animal.

I took another step closer and slowly reached out my hand. I could sense the animal’s wealth of emotions. This was clearly no ordinary animal. Its sense of sadness swept over me, so profound that it threatened to bring tears to my eyes. I felt its exhaustion from the battle and the deathly wounds. It was intelligent… comparable to the mind of a child, perhaps, but intelligent nonetheless. And it was dreaming… the feverish hallucinations of a life dwindling away with every heartbeat.

I had to know what had happened here! Especially in light of the fact that I have to continue on this path through these very catacombs. I gently place my hand on the animal’s matted fur, right between its dimming eyes. Only barely did I register the saddle on the animal’s back at that point, because already, its confused memories that wound their way through its dying mind began to appear before my own mind’s eye.

Rat

Giant rats were battling in the ruined halls of some ancient temple. Side by side with their humanoid, armor-clad brethren, the giant rats fought with the desperate ferocity of cornered animals, as wave after wave of their opponents broke upon them. Humans! The images I saw were blurred and out of focus, and I felt the animal was passing quickly now, its heartbeat already slowing to a crawl. Among the carnage I witnessed an opponent’s torso being ripped to pieces, its human body crashing lifelessly to the ground. As it lay there in rivulets of crimson blood, it began to regenerate itself and the corpse rose yet again to continue the fight. As more and more rats fell, the odds became overwhelming, and before this horde of relentless, undead warriors, the surviving rats eventually fled into bottomless pits and uncharted sewer channels to escape the bloodshed.

That is where it all started, I realized! The undead flood. The walking dead. The ancient temple ruins. This is where I will have to go!

Another image appeared before my mind’s eye just then, of another battleground. Dank cave tunnels this time. The rats were tangled up in fighting yet again, only this time without their humanoid brethren by their sides. An emotion came with the vision of the battle scene, a different sensation… hunger. The rats were starving. I witnessed as flitting images of eggs danced before my eyes. Food for the rats, much of the shells cracked and empty. Food aplenty. And there were flashes of weapons! Guards! A number of insectoid creatures, heavily armored in their chitin shells, were pummeling the rats, slowly driving them back, away from the eggs. A froth of saliva shot from the insect creatures’ mouths like projectiles, as they poisoned the rats, paralyzing them and finally capturing them as they lay helplessly on the floor.

As I tried to piece together the fragmented vision that had spun through my mind, it appeared to me that the rats must have been pillaging an insectoid nest for food, when they were surprised by guards defending the nesting grounds.

The rat twitched under my touch, as its heartbeat became irregular. A last series of images flashed before me. The giant rat was fighting once again, but a strange red color tinges everything this time. I recognized the surroundings, the fight was taking place right where I stood… in these primordial catacombs… this very place… but there was more. In horror I observed that the rat was fighting its own humanoid brethren! Movement in the corner of my vision caught my attention and I was able to see her companions, fellow giant rats with fiercely glowing red eyes. Rats with saddles fastened on their backs, carrying the chitin monsters as they sliced the wooden pole arms of the humanoid rats with razor sharp claws. The humanoid rats were fighting back with a vengeance, but their expressions were unmistakable. They were horrified and stunned by the fact that they were facing their own kin in battle.

Insectoids fell dead from their saddled thrones in the slaughter, but driven by some emotionless impetus, the giant rats continued to fight their own brethren tooth and nail. With sharp claws they pulled the humanoid rats to the ground, then ripped their throats with blood-stained teeth. All the while, their brethren fought back vehemently, piercing their attackers’ lungs and stabbing them to death with daggers made from bones. The massacre ended when all humanoid rats lay dead, when most of the chitin monsters had ceased to breathe. The few who lived moved on, down the tunnel to nurse their wounds. Only this lone rat remained, dying…

When the last of its life ebbed from the rat’s body and its skull slowly grew cold under my touch, the enormity of what I had just witnessed jerked me back to my senses. The path that lies ahead of me had just become a whole lot more challenging, for now I know that there is not only the plague of the undead to deal with. The dark tunnels ahead of me hold promise of a violent conflict between two different races. A conflict I do not wish to be dragged into. But I realize that, in time, my hand will be forced and I will have to choose. But what choice will it be?

A few weeks ago we ran a small focus group among Deathfire fans, as you may remember. Many of you have been eager to hear about the results of this focus group and as I had promised, today I want to share with you a closer look at the outcome.

The focus group was designed to help us find a final name for the game. Deathfire has always been a spur-of-the-moment kind of name that we used as a project title for lack of a better alternative. In the time leading up to the focus group, we made lists of other titles that we liked, and began whittling them down. We voted over and over again to slim down the selections, and to get something that we felt represented the game the best.

Then we put together a series of questions that would allow us to gauge people’s response to certain keywords and names we had on our ultimate shortlist. And that is how we entered the focus group…

We asked people to give us impressions on titles such as Deathfire, Nethermancer, Endergast, Realms of the Beyond and Ruins of Nethermore without giving them any explanation what these words might mean in the context of a game. We simply wanted to get people’s reactions and thoughts on those words. The responses were very interesting and, in many ways, reflected our own impressions. But there were also some interesting and unexpected trends evident. For many, for example, “Deathfire” indicated a game that did not sound like a role-playing game at all. We had not expected that, but what was uniquely striking was the fact that almost everyone associated this particular title with an action-oriented game.

In the case of “Nethermancer” many of the participants felt the dark vibe this title gave off. Although many did not know exactly what a Nethermancer is, everyone understood that this is about very dark magic, automatically implying that magic would be the main focus of the game.

“Endergast” was an interesting one. It is the name of one of the villains in the game and we felt the name simply has a certain ring, even if it did not have a meaning per se. Most of the participants did not know what to make of it and responses were all over the place, as people drew from names that were familiar to them and remotely reminded them of the name. This often resulted in associations that had absolutely nothing to do with the game we are actually trying to make.

“Realms of the Beyond” also created associations that went beyond what we are making with the game, obviously giving participants an impression of a plane walker who travels different universes. In addition, it gave participants a sense of an epic adventure, of many worlds and mystical realms to be explored. Not quite what our game is, altogether.

The last option we explored was “Ruins of Nethermore” and, much as expected, it instantly created a classic RPG vibe with most participants. However, exact details fell into two ranks, essentially. One group consistently commented that they would expect a traditional dungeon crawler when they heard of a game with such a title, while the other group referred almost in unison about a mysterious city, lost civilizations and cultures, curses, magic wars and undead remnants. While neither exactly hit the nerve of what we’re doing – “Deathfire” is neither a mere dungeon crawler, nor does it truly explore lost civilizations – it was clear that it definitely hit the traditional fantasy role-playing mark.

At this point the participants still did not know, exactly what these terms/titles meant, so we took them to a poll where we asked them to grade a list of titles. This would give us a base line and also an indication how “popular” certain titles were, regardless of how they relate to the game. Participants had to assign a grade to each of ten titles. Each grade was unique so it was not possible to have multiple favorites. We really wanted participants to commit to which title they liked better than the others.

The titles in question were once again “Deathfire,” “Nethermancer,” “Endergast,” “Realms of the Beyond” and “Ruins of Nethermore,” along with “Neothera,” “The Beyonder,” “Flames of Nithera,” “Bones of Endergast” or any title of their own creation, which they were allowed to write in.

The results were stunning. Honestly. We were glued to our screens in fascination as we watched the results come in. I don’t want to go into too many nitpicky details, but it was clear that there were a few titles our participants were simply rejecting. “Endergast,” “Bones of Endergast, and “The Beyonder” were titles that received universally low ratings, whereas most of the others were a mixed bag. As expected from the comments before, “Ruins of Nethermore” received high grades, as did “Realms of the Beyond,” surprisingly.

Then came the moment of truth. We explained to our participants what all these names and terms meant, and let them grade all the titles once more. With a new understanding of the terms we expected some change in how people would rate the titles, but to our surprise, it became a completely new ball game!

The opinions became much more polarized. Suddenly people either loved or hated a title. A lot of the middle muddle was gone and people now had real opinions. For us that was great news. When looking over the graphs that we made from the grades, we could now instantly eliminate titles such as “Endergast” or “The Beyonder” from our list. They simply did not jive with people. “Neothera” and “Realms of the Beyond” suddenly had a big hump in the center, meaning virtually everyone was ambivalent about them, and “Flames of Nithera” did not fare much better.

But there were also clear winners, and one was “Ruins of Nethermore.” Not quite unexpected after the feedback we had received in the first round. “Nethermancer” suddenly became much more popular as well, but the ratings indicated that people were truly polarized over this. The grades for this title were either really high or really low.

The biggest surprise for us, however, was that suddenly “Deathfire” had become one of the favorites. With very few low grades, a clearly visible uptrend and a solid number of really high grades, the title “Deathfire” had, in fact, become one of the fan favorites.

For us this was every bit as satisfying as it was surprising. For months posters in various RPG forums had been ranting against the title, and the constant dissent over the name had truly raised concern in us. However, if the focus group has shown us anything, it is that one of the key reasons why people do not seem to like the title “Deathfire” is that they do not know what it means. The numbers clearly showed us that once we had explained to everyone that it is the name of a horrific, outlawed spell, suddenly people took a liking to it. And strongly so.

Overall it was very interesting to observe how a little bit of additional information created a real bias within participants, how middle-of-the-road undecidedness became opinion that people expressed. The comments that came with the re-rating of the title, clearly showed that now people felt quite strongly about the names, and in the feedback section that concluded our focus group, it became evident even more so how people felt about the title of the game.

I should also point out that there were some pretty good naming suggestions coming in as well in the “Suggest your own name” part of the grading. One or two of them we really took into consideration but ultimately felt they did not represent the game well enough.

So, where does all of this leave us? Well, with the game’s final title. After reading and interpreting all the result and after taking all those comments and advice to heart, we decided to call the game “Deathfire: Ruins of Nethermore.”

Logo

We decided to use a two-part name for a number of reasons. For one, it gives the game a more epic scope, indicating that it may be part of a series. While we do not have exact plans for future sequels of the game, there certainly is the possibility, depending on the game’s overall success.

The other reason we decided to use this two-part name was that it allows us to reflect the different aspects of the game. “Deathfire” is the part of the title that suggests a dynamic game, filled with combat and dark powers, while “Ruins of Nethermore” clearly plays up the traditional aspects of the game with a title that conjures up associations with classic computer and pen&paper role playing games.

As you can see from above, we also have a brand new logo for the game. It is a logo that we spent a lot of time tweaking and fine-tuning – and when I say “a lot,” I mean really, A LOT. We feel it nicely incorporates all the elements we think are important to understanding the game, while also having the power to stand on its own, representing the game we are making.

We hope you like the new title and the logo as much as we did and would certainly love to hear your comments, so don’t be shy and let us know.


With nailing down the name and the logo out of the way, now is the time for us to brand the game properly. This means, we need to get the word out into the world big time. And for that we would like to recruit your help once again. Help us spread the word about “Ruins of Nethermore” or “Deathfire,” whichever way you prefer to call the game now. Tweet it up, share the news with your friends, post the logo on your Facebook wall or your blog… just get active and help us tell the world about this exciting project we’re working on.

South Park / SpartacusTo make the deal a little sweeter for you, I’ll be giving away some movies again this time, among all those who help us get the word out. I will be giving away a copy of “South Park: Season 15” to one lucky winner, and a copy of “Spartacus: Season 2” to another lucky winner.

Interested? Well, just make sure you collect entries for the give-away below, and don’t forget, you can obtain more entries every single day for the duration of the give-away, simply by tweeting about Deathfire: Ruins of Nethermore. So, now, go out there and post the hell out of it. Spread the logo and the name all over the world!

a Rafflecopter giveaway

I recently did a lengthy podcast interview the great folks over at Darkstation and I thought I’d let you all know that the podcast is now live on their site in the “Darkcast” section.

Darkstation Logo

The podcast has the title Making Zombies with Fire and covers a lot of ground. Not only did we talk about my current game project, Deathfire, but also about some of the games and projects I’ve worked before, including a brief discourse into my literary forays with the Jason Dark dime novels.

Interestingly, the discussion also revolved around things such as general game design philosophies and how my approach has changed over the years, as well as other very interesting topics that fans of my games may find interesting. So, waste no more time. Head over to the Darkstation Darkcast and listen for yourself.

Let me tell you a story

One by one they are disappearing
Friends, brothers, sisters, mothers, fathers
When they return they aren’t who you think

They look the same. They sound the same
But they are no longer the same…

The most unholy of spells incanted,
Undead fire burns in its victims’ eyes…

The Nethermancer has spoken
His was the last voice they heard…
Before they were perverted into monsters with familiar faces

In a world without heroes
Who can you trust?

In a world where the dead are rising
Who can you turn to?
No one.
No one is safe

Can you save the world from everyone you ever cared about?

This, my friends, is the promotional snippet for Deathfire, designed to whet your appetites. Because of my vacations and all the stuff going on here, it has been a while since my last Developer Diary update, but today I thought, I’d give you a bit of a glimpse at the game’s story.

As you can certainly tell from the blurb above, there are some sinister things going on in the world. From villages, people are disappearing at random. Families are torn apart and the people are mourning and heartbroken.

But that is not all there is to it. At the same time, hordes of zombies appear and threaten the once peaceful villages. Flesh-eating monsters that tear into anything that lives. The worst part, however? These are the same people who went missing… These are the fathers, mothers, sons, sisters and friends… and they do not distinguish friend from foe. They simply… feast!

Rumor among the villagers has it that it is all the doing of an evil Nethermancer, who is hiding out in the hilltop runs of the old Apocryphic Temple. Abandoned long ago, haunted they say, and a cesspool for wicked and foul creatures, the Temple can no longer be reached directly. Thickets and forests, ravines and collapsed bridges make it all but impossible to reach the ancient structure. And yet, as its ruins claw at the sky like skeletal fingers, flickering lights can be seen among the walls. Shrieks of the tortured souls can be heard emanating from its crumbling walls and a strange, unholy glow permeates the place, as fell creatures prowl through the woods, spreading further and further, spewing forth the undead in a never-ending stream of walking death.

This is the premise of Deathfire, a story in which the Nethermancer Endergast has uncovered an ancient spell so devastating, so frightening that it had been banished for centuries. By burning his victims’ souls with an undead flame, he reclaims their bodies to do his bidding. He is gathering an army and soon, the legions of the undead will outnumber those of the living.

So this Nethermancer is really just a Necromancer, you may be tempted to think, but alas no, let me allay that misconception right here. The craft of Nethermancy is far more vicious. Unlike Necromancy it reaches out not only into the realms of the dead, but also… hey, what am I saying? I wont spoil this for you. You’ll find out in the game, because this is where you come in.

When your father has disappeared like so many before him, you rally a small group of adventurers. While you know there is no salvation for the poor souls taken and destroyed by the Nethermancer, at least you can try to put their bodies to rest and put an end to Endergast. And if you will find the same grisly end as all those around you, at the very least you died, trying!

This is only the “front end” of story, of course. The part that we present to you, the prospective player, in order to get you intrigued in the game’s premise. Once you enter the game you will very quickly find that there is a lot more to it. Nothing is as simple as it may seem and with many plot twists and turns, the story will quickly take on a much more elaborate and grander scope than you may initially suspect. In a way, I wish I could share with you many of the cool ideas we have prepared for the game’s plot, but that would truly spoil the fun for you. However, throughout the story there will be encounters with various other characters and I think in the weeks to come I may introduce you to a few of those. It may give you a better understanding of the various factions and key players in the game and hint at some of the dilemmas you may encounter as a player.

Meanwhile I hope this little glimpse into the game’s story has gotten your attention and will rev up your own imagination as to what Deathfire will hold in store for you. In my next update, however, I plan to give you an update on the Focus Group we did a little while back. Not only will I tell you in detail what it was about, but more importantly, I will break down the results for you so that you, too, can see how other role-players felt about some of the questions we posed. Naturally, the post will also let you know what conclusion we came to on our end, and finally reveal the actual title of the game. Remember, up to this point Deathfire has always been merely a project title, in reference to the Nethermancer’s horrific spell. So, stay tuned. Until next time…

While cleaning up my hard drive just now, I stumbled across a neat image that I thought I’d share with you. Here, for the first time, I assume, is a look at the original artwork for Shadows over Riva without any logo and without any cropping. This is the artwork that as it was delivered to us by Ugurcan Yüce, the artist who created the artwork not only for our Realms of Arkania computer role-playing games, but also for virtually all of the “Das Schwarze Auge” pen&paper games the “Reams of Arkania” games were based on.

Ugurcan is not only an incredibly talented artists but also a very nice guy and I remember visiting him in his home numerous times, watching and admiring him at work while his wife would serve me traditional Turkish treats. At Attic Entertainment Software, we commissioned the covers for many of our games from him, not only the “Realms of Arkania” games, but also covers for titles such as “Fears” and “Der Druidenzirkel.”

Most strikingly, every time Ugurcan did a cover for us, he was nice enough to actually allow us to keep the original paintings for good. This is something very few artists will ever do—or only at a significant cost—and shows you just what kind of a guy he is.

Anyway, I thought I’d share this little gem with you real quick because I know there are many die hard Realms of Arkania fans out there. Enjoy!

Shadows over Riva cover artwork without logo

Oh no, it moves…

After a lot of the talk about some of the basics of the game, I thought it would be nice to have Marian discuss some of the work the art department has been doing on their side of things. So without further ado, here is Marian with some shop talk for you. I’ll be back next time with more info for you.


Hey folks! We did it! The first monster is in the game! And it looks… well… unhealthy. As it should.

I want to take you behind the scenes for a bit and talk about the creation of this monster, but since you can easily read almost everything about the steps normally taken by modelers on a site like www.zbrushcentral.com, I won’t go too far into the boring details.

With our first dungeon sets finished, we noticed that pretty soon we would need something that moves around in these labyrinths, so we can play around with it, and test the game mechanics within. At this point we already have lots of ideas for cool enemies and monsters scribbled out for the game, but to fully flesh them out, design them and then build them in high quality from scratch will take quite some time. Usually you start the modeling process with a scribble that you draw or receive from your conceptual artist that defines how exactly the creature should look like in the end.

Unless, of course, you already have a clear vision, in which case you would simply set yourself loose and begin modeling the creature straight away with Dynamesh in Zbrush. Alternatively, you could just fool around with Zbrush long enough until you managed to produce something decent out of it. Each approach may work, but more often than not, the approach artists take begins with the scribble. Since nothing about Deathfire is truly ordinary, our case was an exception, of course. ;-)

I recalled that I had the concept for a monster lying around in a backup somewhere. It was a monster I had thought of about ten years ago but never had the chance to actually use it. I had begun to model it back then but never got further than doing a basic few tests and getting the proportions in place. For me, it was the perfect starting point. I went back, loaded the model and began to re-imagine the creature, skipping the scribble stage entirely.

Don’t be disappointed, though, I created one nonetheless… just for you… after the fact… which is a whole lot easier by the way, because you already know exactly what it looks like.

Scribble of the Daggerlisk

Once I had the scribble, I jumped straight into 3DS Max and took a closer look at the old model I had created… and realized that not only were the proportions wrong, but also just what a mess this 10-year old mesh structure actually was. Time is hard on digital content as technology is virtually a runaway train and can change requirements overnight.

I knew I could load it up in Zbrush and give it a complete overhaul but it would be a lot of work. Still, it would still be faster than building it from scratch, so I fixed all the bugs and reworked it, creating an entirely new surface for it, while also tweaking a lot of the proportions. When it was finished I showed it to Guido and André for their suggestions and reworked it once again according to the feedback I got.

The Daggerlisk in ZBrush

Once it was completed, I exported everything to 3DS Max rendering out proper skin colors (Fig.A), the depth information for the normal map (Fig.B), a shininess map and the ambient occlusion rendering (Fig.C). All very technical stuff but very necessary to create a polished model.

The different stages of the Daggerlisk

That should be it, right? One would think so, but the fact of the matter is that models coming out of ZBrush have an incredibly high level of detail. Too much for game engines to handle, typically, and the next step in the pipeline was for me to create a version of the model that has fewer polygons.
I built a completely new low-poly model that was based on the new high-poly version, and while doing so I got to do the job every artist loves to do the most… (In case you have not noticed, I am being sarcastic right now.)

If you are into puzzles and brain teasers, you might actually enjoy unwrapping UV texture coordinates, but it is every bit as tedious as it sounds. Honestly. Try to distribute the space on a texture as evenly as possible over all the polygons of the model, eradicating the texture from stretching or being pulled in the wrong direction. Remember, the texture map of an object is like a skin, essentially, and if you tug and pull on one end, invariably, it will affect the rest of the model. Tweaking the points where the texture is attached to the wireframe model will help minimize the impact, but is a process that is incredibly time consuming and not a whole lot of fun. We might be making games for entertainment, but the work that needs to be done to get there can oftentimes be testing your patience and become every bit as mind-dumbing as any job.

It is possible to speed up the process using some functionality built into today’s software, such as relaxing the unwrap modifier, but there are still lots of minute details that you just can’t fix except by hand. And even then, there will always be some glitches that will keep you going back over and over again. The process is actually so boring that I prefer to listen to TV shows or Audiobooks during the entire procedure. That way, you get some head space and you don’t get itchy while checking all the polygons for hours and hours on end, until you found the optimal solution that gives you the (hopefully) least wasted texture space (Fig.D).

The wireframe model

With all that out of the way, the next step is to check if the proportions are still the same in both models. In the case of our critter here, I bought the model from 9 million polygons (high poly) down to 9 thousand polygons. Not a bad reduction at all. You can see the difference here in the wireframe models (yes, the right half of the model is a wire frame too. It is just so dense that it looks like a surface.).

With all the details rendered to a texture, I am loading the textures into Photoshop and begin layering them on top of each other until everything is perfectly fine-tuned and I am happy with the results. At this stage, I always find that getting input from your colleagues is the best source of feedback at this point, in order to get the details right. It is all too easy for myself to get lost in the wrong details, and a different set of eyes always provides a new perspective, pointing out things I may have overlooked or became too complacent to care about. This kind of feedback is often the source of good ideas, as well. André was my second set of eyes in this case and together we tweaked the textures to get the most natural or — in case of our undead friend here — the most scary look out of it. I think it is easy to see the improvements in the following image.

Some modifications and variations

I have no doubt that we will still have to continue applying minor tweaks as we go along and utilize the model in our Unity environment. But for the time being, the Daggerlisk is complete and exported. Time to move on to some of the other denizens of our world, most of which will not be drawn from the animal kingdom, but lean more into fantasy lore.

The finished model of the Daggerlisk

That’s it for this time. I hope you like that you’re seeing.

Marian

P.S. Oh, and yes… it also moves…

As the development of Deathfire progresses, we have reached a junction in the development of the game where we would like to get direct feedback from the fans. We want to hear your opinions!

Since it has always been one of our foremost intentions to share as many aspects of the development with you, the fans, as possible, we feel that getting a feel for certain elements regarding the game from the fans is the logical next step.

This is your chance to become a part of Deathfire!

This is your chance to make a difference… we are putting together a limited focus group to evaluate one of the most critical aspects of the game. It will be a very easy task for those participating, that will require no more than a handful of mouse clicks and a few minutes of their time.

If you are interested in becoming a part of the first Deathfire Focus Group, please fill out the form below and we will add you to our list of interested candidates. From all submissions, we will then select 25 participants at random to move ahead with.

Update: We are sorry, but at this time we are no longer accepting submissions for the focus group. It has already been conducted, in fact.

A first look at the user interface

Before I get into the next Development Diary entry for Deathfire, I wanted to point you all to a new interview with me on The Nerd Cave. It is an interesting – I think – look at the different aspects of my career, not only the games most people are familiar with. But now back to our regularly scheduled programming… more Deathfire stuff. :)

It is a common occurrence in game development that you have to make design decisions based on incomplete information. Why? Well, because at the time you design many aspects of a game, the game itself does not really exist yet. You are merely projecting what you want it to be. Therefore you have to make a great many decisions based on whatever information you have at the time, and what you expect the gameplay to be like in the final product. It is probably hard to imagine for many people, but game design is a very iterative process. Especially as the complexity of the game and underlying systems grow, the requirements will most likely change as well. Somewhere down the line, play testing may show flaws and weaknesses that will have to be addressed, or entire parts of the system show themselves to be flawed, tedious or outright un-fun. No one has ever designed the perfect role playing game in a single attempt, ever. You make decision, rethink them, revise them, reiterate them, adapt them and then repeat the entire process until one day you ship a product.

While working on Deathfire, the other day we stumbled into such a scenario, which I think illustrates this very nicely in an easy to understand manner. The item in question were the character status boxes.

UI sketch These small user interface elements serve to give the player a quick overview over the characters in his party, their health, their mana, their condition, etc. They also allow the player to access more information and to make various character-specific selections, such as attacks and spells, among other things.

I made a list of components I felt needed to be part of this character box, mocked it up very quickly in Photoshop, and forwarded it to Marian so that he could think of a proper graphical representation for them. Instantly the question for him became, “Should we do it this way, or maybe make tall slim boxes, or rather wider ones?”

He worked out some ideas and showed them to the rest of the team. You can see the initial designs below. As you can see, they follow the same kind of general design pattern, but each version is created with a specific focus in mind. One focuses on the portrait, while another one favors the attack and spell slots, and so forth.

Once we saw these, it became clear that with our original premise, these boxes would use up a significant amount of screen real estate. Deathfire will have a party that consists of four heroes. In addition to that, the player can recruit two additional NPCs at any given time, resulting in six character boxes on the screen. With all the information displayed, this a not insignificant amount of screen real estate to deal with and the last thing you want is for these boxes to cover up vital areas of gameplay.

Different versions of the character status box

First versions of the character status box that we evaluated

While these were great first attempts, they felt a bit too design heavy and not what you would really need in the actual game. In addition, the important elements seemed to be drowned out a bit by the bulky borders and decorative elements. In a word, we felt we weren’t quite there yet. We decided that we needed to optimize this somehow and for that we needed to envision more clearly how the player is going to play the game. While we have the game engine up and running with our 3D environments and some basic core functionality, we have yet to reach the point in our prototype where it is possible to really get a feel for the way the game will play in the end. Therefore, we had to extrapolate and sort of play the game in our minds, and as we did so, a few things became obvious.

Another version of the character status box

An iteration of the character status box, but we felt it ran too wide.
Note, however, the lines are all much slimmer than before.
This is not final art and the portrait is merely a mock-up

There was a lot of stuff in those original character boxes that we didn’t really need. At least not all the time. So we thought that maybe we could create boxes the display the minimum of information and when the player moves the mouse over them, each respective box will expand to its full size, allowing access to the full set of features. The next step was for us to decide what that minimum of information actually is that we need to relay to the player at all times.

Small status boxDo you really need the character’s name, for example, all the time? One could argue that the portrait is enough, particularly if we allow players to customize them the way we have in mind, but since we are creating a game in which interaction with NPCs and among the party members themselves will be very frequent, we felt that it is, in fact, very important that the player always has an indication as to who is who, when they are being referenced by name.

But what about those attack and spell slots? Because we have a turn-based combat system in Deathfire, it is not essential for us to give the player instant access to his weapons and spells. In real time combat, yes, the player needs access to his weapons, which represent the attacks, within a fraction of a second, but in real-time combat, the combatants take turns, which means there is proper time for the player to make his selections without rushing things. If we automatically expand the box for the character whose turn it is, this should turn out to be pretty slick and efficient, actually, also serving as a visual guide as to whose turn it is.

The expanded character status box

The expanded character status box with weapons equipped.
Note: This is not final art and the portrait is merely a mock-up

Usually the on-hand weapon slots also serve the purpose to Use items in role playing games, such as potions or tools. However, we reckoned that while that is true, it is not an all too common occurrence, particularly not one that is typically time critical, so the brief delay that expanding the full box would incur during a mouse-over should be acceptable. There is also still enough meat for the player to grab the box and drag it to a different place so that the order of the party can be easily arranged in the game, while mouse-over texts will relay additional information, such as the actual points of health, etc.

In my original layout specs, we also had a small toggle that allows the player to switch between a panel displaying the equipped weapons and one displaying the hero’s quick-spells. (Quick spells are memorized spells that can be fired at a moment’s notice without further preparation. They are complemented by non-memorized spells that require significantly more time to cast.). Upon playing the game in our minds, we realized that this toggle, too, is really needed very infrequently. For the most part spell casters would want to have their quick spells accessible while melee and ranged fighters would want their weapons accessible. The player would then occasionally switch these panels, but for the most part we expect them to remain fairly static settings.

Therefore we decided the toggle does not need to be available at all times and could be safely removed from the mini box. Incidentally, as Marian was working out his designs, it turned out that we do not need the toggle at all, because we can fit the weapon slots and the quick spell slots all on the enlarged pop-under box.

UI sketchWith all that in mind, we decided that we really just wanted to display the portrait, and the health and mana bars at all times, along with the hero’s name and a small digit that represents the character’s level. Character states, such as poison, paralyzation, etc can be easily color-coded into the portrait, or displayed as mini-icons alongside, and damage markers can be painted right over the portrait. All in all a pretty neat affair, I would say. For now… because who knows? Once will begin actually playing the game in earnest, we may find that our assumptions were wrong and that have to re-design the boxes once more, but such is the life of a game developer. It is the nature of the beast. Game development is an evolution, even after doing it for the umpteenth time.